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Showing posts with label Mark Strand. Show all posts
Showing posts with label Mark Strand. Show all posts

Wednesday, December 12, 2012

The Weather of Words by Mark Strand

So. While for the most part yesterday made me want to crawl into a hole and fall asleep for a very, very long time (ridiculous evening news + a terrible grade on my chem test + a great opportunity that I had to turn down), it wasn't all bad. One of the great things about yesterday was that I got to hang out with my friends Ron and Akire before my class. When I saw this book on Ron's dining table, I wasn't sure whether or not I wanted to pick it up because Ron's apartment is like the library or Fully Booked--if you don't want to come out with a book, don't pick the book up. There's still so much from my Amazon loot I haven't read!

But curiousity got the better of me (look at that cover) so I opened it up and of course, ended up borrowing it. I really, really like how Mark Strand writes (for the most part) and I was so happy to find that his non-fiction is also incredibly well-written.

My favorite bits from this book, so far are the following: (This is from a section called The Poet's Alphabet)

B is for before, the acknowledged antecedent of now, the innocent shape of earlier, the vague and beautiful cousin of "when", the tragic mother of "will become", the suicide of "too late."

L is for lake.I prefer the ocean and some of the rivers I've seen, but for writing I like the manageable water of lakes. A lake is a more flexible prop. It doesn't demand the respect of the ocean, which compels us to fairly predictable responses; that is, we too easily slip into feelings of awe or peace or whatever. Nor does it tease us with hints of the infinite. A lake can be made to fit what the poem's topography demands. Rivers will generally run through a poem, or carry it along, and they tend to resist formal containment, which is why they are so frequently (but mistakenly) likened to life. They also tend to be shallow, a feature which might be equated with life as well, but not with poetry. So, for a body of water, give me a lake, a great lake or even a salt lake, where water can be still, where reflection is possible, where one can kneel at the edge, look down, and see oneself. It is an old story.
Sigh. I am a sucker for the subtle insertion of references to myth. This book is P595 at Fully Booked and I'd definitely recommend you go get a copy nowwww! (I recommend this to myself too as I don' have one either.)